Il "rituale drammatico" in Crowley nella prospettiva dei Performance Studies
DOI:
https://doi.org/10.6092/2240-5380/9.2019.131Palabras clave:
Performance Studies, Thelemitism, Aleister Crowley, Magick, Ritual StudiesResumen
This paper aims to analyze the dramatic rituals as they were theorized by the british occultist and ceremonial magician Aleister Crowley in his magnum opus, Magick in Theory and Practice. For this purpose, the methodological perspective will be constituted by Performance studies, with reference above all to the theorizations of Victor Turner and Richard Schechner.
Descargas
Publicado
2020-10-24
Número
Sección
Saggi
Licencia
Articles and conference papers published in Mantichora are distributed under the terms and conditions of a Creative Commons Attribution 3.0 Unported License. Correspondingly, authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
Cómo citar
Il "rituale drammatico" in Crowley nella prospettiva dei Performance Studies. (2020). Mantichora. Italian Journal of Performance Studies, 9, 131. https://doi.org/10.6092/2240-5380/9.2019.131
