Frantumi di un (s)oggetto di fede
DOI:
https://doi.org/10.13129/2240-5380/14.2024.27-37Palabras clave:
Ulrich Seidl, Paradies, Glaube, Sacred Thing, SymbolResumen
In the second chapter of his personal trilogy on human paradise, Paradies: Glaube (2012), Austrian director Ulrich Seidl changes the object of faith from a symbol of pure transcendence to authentic immanence. Lost among the accumulations of despair, the sacred thing is attacked by the rest; still, it bears a profound meaning of which it becomes an expression. But if for Seidl man is an infinite abyss, then of what does the object become a symbol: of the inevitable destruction of man? Is this perhaps the transcendent, inconceivable, obscurely intuited meaning? And if the object does not survive, what meaning comes from its destruction?
Descargas
Descargas
Publicado
Número
Sección
Licencia
Articles and conference papers published in Mantichora are distributed under the terms and conditions of a Creative Commons Attribution 3.0 Unported License. Correspondingly, authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
