Il teatro degli oggetti Performance dell’oggettuale nell’opera di Fulvio Abbate
DOI:
https://doi.org/10.13129/2240-5380/15.2025.59-72Parole chiave:
Fulvio Abbate, oggetti, performance, Teledurruti, memoriaAbstract
The article aims to analyze, from the perspective of performance studies, the layered activity of writer Fulvio Abbate starting with hisinterest in the valorization of objects and commodities. In hisliterary production, in the decade-long YouTube channel “Teledurruti,” and finally in the monologue Il teatro degli oggetti, Abbate’s maniacal attention to objects-signs of various natures represents the key to reactivatin geach time ex novo the paradigmatic evocation of a generational and personal biography.
Dowloads
Pubblicato
Fascicolo
Sezione
Licenza
Articles and conference papers published in Mantichora are distributed under the terms and conditions of a Creative Commons Attribution 3.0 Unported License. Correspondingly, authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
