Il naufragio del visibile: l'apocalisse in Cuore di vetro di Werner Herzog

Auteurs

  • Mirko Lino Università dell'Aquila

DOI :

https://doi.org/10.6092/2240-5380/2.2012.69

Résumé

My paper aims to analyze the attempts of cinema to represent the register of impossible and unimaginable of apocalypse through the movie Heart of Glass of Werner Herzog. The German filmmaker is well-known for his skills to turn something that is impossible to see, such as apocalypse, into visibility. In Heart of Glass Herzog uses a lot of uncanny ways of seeing, especially hypnosis, and different levels of visions, such as prophecies, ecstatic dreams, tableaux vivants of Friedrich and Brueghel’s paintings, to recreate the experience of seeing apocalypse. In this way apocalypse become a cultural device wherein the gaze faces with the mystery of the images.

Téléchargements

Publiée

2020-10-24

Numéro

Vol. 2 (2012): Le spalle al futuro

Rubrique

Saggi

Licence

Creative Commons License Articles and conference papers published in Mantichora are distributed under the terms and conditions of a Creative Commons Attribution 3.0 Unported License. Correspondingly, authors who publish with this journal agree to the following terms:

    1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
    1. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
  1. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).

 

Comment citer

Il naufragio del visibile: l’apocalisse in Cuore di vetro di Werner Herzog. (2020). Mantichora. Italian Journal of Performance Studies, 2, 69. https://doi.org/10.6092/2240-5380/2.2012.69