Note per un teatro delle immagini
DOI :
https://doi.org/10.13129/2240-5380/12.2022.117-127Mots-clés :
Image Theory, Antonin Artaud, Aby Warburg, Jacques Derrida, Georges Didi-HubermanRésumé
Every theatrical civilization has built a foundational relationship with the question of the image. Starting from the last century this relationship has known a new centrality, to the point of defining an unprecedented perspective that characterizes these last decades. In addition to the contamination of the scenic space through increasingly decisive technological elements, the discursive production concerning the theater scene also defines a centrality that deserves further study and a strong, necessary transversality.
Téléchargements
Publié
Numéro
Rubrique
Licence
Articles and conference papers published in Mantichora are distributed under the terms and conditions of a Creative Commons Attribution 3.0 Unported License. Correspondingly, authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
