Poiesis ovvero Performatività. Tra Oral Theory e Performance Studies
DOI:
https://doi.org/10.13129/2240-5380/11.2021.149-162Keywords:
Oral Poetry, Oral Theory, Performance Studies, Literary Genres, Orality and WritingAbstract
The problem posed by the re-emergence of poetic orality in the contemporary world is considered by proposing the theoretical and critical application of the tools offered by Performance Studies, in the light of Oral Theory. We intend to reflect on the substantial superimposition of the concept of poiesis and that of performativity.
Downloads
Published
2022-01-21
Issue
Section
Saggi
License
Articles and conference papers published in Mantichora are distributed under the terms and conditions of a Creative Commons Attribution 3.0 Unported License. Correspondingly, authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
How to Cite
Poiesis ovvero Performatività. Tra Oral Theory e Performance Studies. (2022). Mantichora. Italian Journal of Performance Studies, 11, 149-162. https://doi.org/10.13129/2240-5380/11.2021.149-162