Una maschera di morte: musica, danza e nágríma nella Bósa saga ok Herrauðs
DOI:
https://doi.org/10.13129/2240-5380/12.2022.35-44Palabras clave:
Medieval Dance, Mask, Human Skin, Bósa saga ok Herrauðs, Old Norse LiteratureResumen
This article aims to analyse a wedding dance mentioned in the Bósa saga ok Herrauðs, a Norse text whose oldest surviving codices were composed in Iceland in the late 14th century. The dance performance was combined with the melodies of a harpist, whose identity was concealed by a mask made of human skin. The contribution will then explore the relationship between the macabre disguise and the performance, highlighting the peculiar features of the choreomusical ritual.
Descargas
Publicado
2023-01-28
Número
Sección
Saggi
Licencia
Articles and conference papers published in Mantichora are distributed under the terms and conditions of a Creative Commons Attribution 3.0 Unported License. Correspondingly, authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
Cómo citar
Una maschera di morte: musica, danza e nágríma nella Bósa saga ok Herrauðs. (2023). Mantichora. Italian Journal of Performance Studies, 12, 35-44. https://doi.org/10.13129/2240-5380/12.2022.35-44
