«L’orrore lo può testimoniare solo la poesia». Nel regno oscuro di Giorgio Pressburger
DOI:
https://doi.org/10.6092/2240-5380/1.2011.663Abstract
This paper aims at examining Giorgio Pressburger’s multi-peformed art, considering also his biographic history. Nel regno oscuro, the last Pressuburger’s novel, is particularly interesting, from this point of you, to discover interactions between narrative and dramatic structures, reprocessing also plots of memory.
Dowloads
Pubblicato
2020-10-24
Fascicolo
Sezione
Atti del Convegno “Compalit 2010 – Performance e Performatività”
Licenza
Articles and conference papers published in Mantichora are distributed under the terms and conditions of a Creative Commons Attribution 3.0 Unported License. Correspondingly, authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
Come citare
«L’orrore lo può testimoniare solo la poesia». Nel regno oscuro di Giorgio Pressburger. (2020). Mantichora. Italian Journal of Performance Studies, 1, 663. https://doi.org/10.6092/2240-5380/1.2011.663
