Una riscrittura tempestosa: da Emily Brontë a Beppe Fenoglio passando per Wyler
DOI:
https://doi.org/10.6092/2240-5380/1.2011.102Abstract
La Voce Nella Tempesta, Bebbe Fenoglio’s theatrical rewrite, puts itself in the center of a cultural crossroads because it uses different literary kinds and several communication languages. It unmistakably indicates its “hypotext” in the novel Wuthering Heights by Emily Brontë. In addition, it also delineates its own identity in the elaborate contamination that the author/performer realizes between the narrative adapted text and the homonymous film directed by Wyler. The analysis of the pièce is outside of the exclusive use of analytic categories that are only inherent in the literary kind. Therefore, it puts itself into a tight dialogism of artistic languages that becomes a tool for the writer to transfer a conversational plurality into his work. The pièce is characterized in a performative way because of this relationship. The purpose of this essay is to revalue the creative ingenuity of this theatrical text by analyzing it in a more heterogeneous and multi-perspective vision of tout court. It blends and readdresses the primary observations of immediate and sectorial analysis about Beppe Fenoglio’s brief dramatic artwork.
Dowloads
Pubblicato
2020-10-24
Fascicolo
Sezione
Atti del Convegno “Compalit 2010 – Performance e Performatività”
Licenza
Articles and conference papers published in Mantichora are distributed under the terms and conditions of a Creative Commons Attribution 3.0 Unported License. Correspondingly, authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
Come citare
Una riscrittura tempestosa: da Emily Brontë a Beppe Fenoglio passando per Wyler. (2020). Mantichora. Italian Journal of Performance Studies, 1, 102. https://doi.org/10.6092/2240-5380/1.2011.102
