«Like Flowers beneath the Ancient Song». Language and Myth in Owen Barfield and J.R.R. Tolkien
DOI :
https://doi.org/10.13129/2240-5380/11.2021.103-130Mots-clés :
J.R.R. Tolkien, Owen Barfield, Philosophy of Language, Aesthetics, Performance StudiesRésumé
This article aims, first, to analyse the linguistic theories of Owen Barfield and J.R.R. Tolkien, examining in particular the influence that the former had on the academic and artistic production of the latter. Later it will try to understand how linguistic theory enters Tolkien’s narrative work and finds expression there. At the same time, an attempt will be made to interpret the theories of Barfield and Tolkien in the light of contemporary paradigms, including Performance Studies and Giovanni Bottiroli’s Theory of Thought Styles.
Téléchargements
Publiée
Numéro
Rubrique
Licence
Articles and conference papers published in Mantichora are distributed under the terms and conditions of a Creative Commons Attribution 3.0 Unported License. Correspondingly, authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
