The politics of dramatic play: De-centred marginality as creative resistance
DOI:
https://doi.org/10.6092/2240-5380/4.2014.11Abstract
CITAC (Coimbra’s Academy Theatrical Initiation Circle) is a university theater group created in 1956 in Coimbra, Portugal. The history of this group was used as a case study, leading us to the idea that there are theoretical conditions for the dramatic play to be an activator in the production of the artistic avant-garde and, endorsed in its mechanisms, is the ability to reinvent social resistance.Downloads
Published
2020-10-24
Issue
Section
Saggi
License
Articles and conference papers published in Mantichora are distributed under the terms and conditions of a Creative Commons Attribution 3.0 Unported License. Correspondingly, authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
How to Cite
The politics of dramatic play: De-centred marginality as creative resistance. (2020). Mantichora. Italian Journal of Performance Studies, 4, 11. https://doi.org/10.6092/2240-5380/4.2014.11