La maschera del potere in Eyes Wide Shut. Le metamorfosi del desiderio da Schnitzler a Kubrick.
DOI:
https://doi.org/10.13129/2281-8138/2019.0.124-141Parole chiave:
Desire, Constraint, Rivalry, Religion, PowerAbstract
The mask of power in Eyes Wide Shut. The metamorphosis of desire from Schnitzler to Kubrick. Through Kubrick's most controversial work, the subject of power is to be tackled from an anthropological and philosophical political point of view. Human desire oscillates between the vital instinct and the impulse of death. In this work the relationships between "affective bond" and "narcissistic and rivalry desire" are analyzed. But to dig into the dark side of love means to risk discovering a very strong feeling of death, the inversion of the vital instinct in orgiastic and homicidal rituals. Two great authors have ventured into trying to focus attention on the most profound existential aspects of human desire, which are the foundation for social institutions.
Riferimenti bibliografici
M.S. Barberi (2002), Mysterium e ministerium. Figure della sovranità, Giappichelli, Torino.
C. Bonvecchio (2002), La maschera e l’uomo. Simbolismo, comunicazione e politica, Franco Angeli, Milano.
R. Caillois (2000), I giochi e gli uomini, Bompiani, Bologna.
S. Ciaruffoli (2003), Stanley Kubrick. Eyes Wide Shut, Falsopiano.
R. Escobar (1997), Metamorfosi della paura, Il Mulino, Bologna.
G. Farese (2001), Nota su «Doppio Sogno», in Schnitzler, Doppio Sogno.
G. Fornari e C. Tugnoli (a cura) (2003), L’apprendimento della vittima, Franco Angeli, Milano.
S. Freud (1982), Introduzione al narcisismo, Boringhieri, Torino.
M. Geniale (2012), La finzione di Amleto ovvero la nascita drammatica dell’individuo moderno, Ancona-Massa, Transeuropa.
M. Geniale (2009), Un paradigma teologico-politico: Kat-echon ed Epimeteo cristiano, Heliopolis.
R. Girard (2001), Delle cose nascoste sin dalla fondazione del mondo, Adelphi, Milano.
R. Girard (1961), Mensonge romantique et vérité romanesque, Grasset.
R. Girard (1981), Menzogna romantica e verità romanzesca, Bompiani, Milano.
H. Grivois (2002), Nascere alla psicosi, Edizioni Ma.Gi., Roma.
G. Gurisatti (2006), Dizionario fisiognomico. Il volto, le forme, l’espressione, Macerata, Quodlibet Studio.
R. Kassner (1986), Sämtliche Werke, Pfullingen, Neske Verlag, X Voll., vol. VIII.
K. Lorenz (2000), L’aggressività, Il Saggiatore, Milano.
G. Pasqualotto (1988), Saggi su Nietzsche, Milano, Franco Angeli.
Platone (1999), Repubblica, BUR, Milano.
F. Raphael (1999), Eyes Wide Open, Torino, Einaudi.
L. Reitani (1990), Sulla psicanalisi (Arthur Schitzler), Milano, Mondadori.
H. Scheible (1976), Nachwort a Schnitzler, Die Braut – Traumnovelle, Stuttgart.
M.F. Schepis (2005), Confini di sabbia. Un’ermeneutica simbolica dell’esodo, Giappichelli, Torino.
C. Schmitt (1986), Scritti su Thomas Hobbes, Carlo Galli (a cura di), Giuffrè, Milano.
C. Schmitt (1950), Tre possibilità di un quadro storico cristiano, Plettemberg.
A. Schnitzler (1931), Traumnovelle, Berlin, Fischer Verlag.
A. Schnitzler (2001), Doppio sogno, Adelphi, Milano.
Dowloads
Pubblicato
Fascicolo
Sezione
Licenza
Authors who publish with this journal agree to the following terms:- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
