Eppur si muore
DOI :
https://doi.org/10.7413/228181381954Mots-clés :
Chiacchiera | Utopischer Standort | Corpo | Limite | CinemaRésumé
AND YET WE DIE.
Starting from the hypothesis that the social effervescence around the environmental emergency is, today, closer to chatter, to a covering escapism, to that escape whose function, according to Heidegger (1976), would be to distract us from what is stirring in the deepest nocturnal currents of the social imaginary, we will try to link the theme of the environmental apocalypse to the material principle common to every living being: the body. Compared to its possibilities of transformation and existence today, the human body remains the most concrete limit to the attainment of any possible utopian place (Plessner, 1975). With reference to the recent cinematographic works of Valdimar Jóhannsson (Lamb, 2021), Ruben Östlund (Triangle of sadness, 2022) and David Cronenberg (Crimes of the Future, 2022), we will try to show how artistic production is able to anticipate all the transformations of the body, the evolution of its images in relation to its nature, offering us an ever-new vision of the precipice that awaits us all and indistinctly: the end of the body.
Références
Beck U. (2013), La società del rischio. Verso una seconda modernità, Roma, Carocci Editore.
Cozolino L. (2006), The Neuroscience of Human Relationships: Attachment and the Developing Social Brain, NY, Norton & Company; tr. it. Il cervello sociale: neuroscienze delle relazioni umane, Milano, Raffaello Cortina Editore, 2008.
Cusinato G. (2009), La totalità incompiuta. Antropologia filosofica e ontologia della persona, Milano, Franco Angeli.
Deleuze G. (2013), Cosa può un corpo? Lezioni su Spinoza, Verona Ombre Corte.
Durand G. (2022), Introduzione alla mitodologia. Miti e società, Milano, Mimesis.
Fugali E. (2023), Soggetto, corpo e mondo in Edmund Husserl, Milano, Unicopli.
Gehlen A. (1940), L’uomo. La sua natura e il suo posto nel mondo, Milano, Feltrinelli, 1983.
Heidegger M. (1927), Essere e tempo, Milano, Longanesi, 1976.
La Fauci G. (2022), «Gli immaginari sociali. Una prospettiva etologica» in D. Chiricò (ed.), Progettare la cognizione. Nuove prospettive di ricerca interdisciplinare, Roma-Madrid-Messina, CORISCO Edizioni, 167-185.
Leopardi G. (1898), Zibaldone, Firenze, Le Monnier.
Maffesoli M. (1990), Aux creux des apparences : pour une éthique de l’esthétique, Paris, Editions Plon.
Marzo P.L. (2023), La creatività come metodo sociologico, Milano, Mimesis.
Marzo P.L. Marzo e Mori L., a cura di (2019), Le vie sociali dell’immaginario. Per una sociologia del profondo, Milano-Udine, Mimesis.
McLuhan M. (2015), Gli strumenti del comunicare. The medium is the message, Milano, Il Saggiatore.
Minsky M. (1989), La società della mente, Milano, Adelphi.
Morin E. (1970), L’uomo e la morte, Trento, Erickson, 2021.
Plessner H. (1975), I gradi dell’organico e l’uomo. Introduzione all’antropologia filosofica, Torino, Bollati Boringhieri, 2006.
Scheler M. (1928), La posizione dell’uomo nel cosmo, Roma, Armando, 1997.
Spinoza B. (1677a), Ethica Ordine Geometrico Demonstrata, in A. Sangiacomo (ed.), Baruch Spinoza. Tutte le opere, Milano, Bompiani, 2010.
Spinoza B. (1677b), Tractatus de Intellectus Emendatione, in A. Sangiacomo (ed.), Baruch Spinoza. Tutte le opere, Milano, Bompiani, 2010.
Vincenzo G. (2021), L’ordine rituale e la società digitale. Saggio sulla natura umana, Milano, Mimesis.
Téléchargements
Publiée
Numéro
Rubrique
Licence
Authors who publish with this journal agree to the following terms:- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
