Il corpo-oggetto nell'opera filmica di Paolo Gioli
DOI:
https://doi.org/10.13129/2240-5380/15.2025.85-91Keywords:
Paolo Gioli, Cinema sperimentale, Videoarte, Corpo, OggettoAbstract
The relationship that Paolo Gioli establishes between his artistic production and the body is the cornerstone of his creative research. This connection, combined with a subversive use of photographic and filmic apparatuses, allows him to emerge as a peculiar figure within the contemporary artistic landscape. The experimentation carried out by the visual artist advances a deeply incisive approach to the body and, opening up to the most diverse possibilities of manipulation, draws it into a regressive path that forces it into a new identity: that of a “body-object”.
Downloads
Published
Issue
Section
License
Articles and conference papers published in Mantichora are distributed under the terms and conditions of a Creative Commons Attribution 3.0 Unported License. Correspondingly, authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
