Le théâtre d’ombre de la mémoire. La commemoration politique comme “contre-nostalgie”
DOI:
https://doi.org/10.7413/2281813819610Palabras clave:
Counter-Nostalgia, Political Myths, Commemoration, SymbolismResumen
The Shadox Commemoration as “Counter-Nostalgia”
This article aims to analyze and understand the establishment of a process of "counter nostalgia" in the historical context of the commemorations of the Fiftieth Anniversary of the Second World War in 1994. A highly "nostalgic" period, in many respects, in all its components: Resistance, Deportations, mass massacres, Allied landings, Liberation of the territory. It is the central figure of François Mitterrand, President of the Republic, who gives all the real and symbolic political meaning to historical ceremonies of commemorations where "nostalgia", "symbolic reiteration", the "festive", and paradoxically, in a more marginal way, the historical are at play.
Referencias
De Gaulle C. (1956), Mémoires de guerre. Tome II, l’Unité, Paris, Plon.
Duhamel P. (2025), La photo. Pétain-Mitterrand : l’histoire secrète du document qui aurait pu bouleverser la Ve République, Paris, Éditions de l’Observatoire.
Foucault M. (1974), Dits et écrits, Paris, Gallimard.
Girardet R. (1986), Mythes et mythologies politiques, Paris, Seuil.
Gubler C. et M. Gonod (1996), Le grand secret, Paris, Plon.
Péan P. (1994), Une jeunesse française. François Mitterrand, 1934-1947, Paris, Fayard.
Raynaud P. (1994), « La commémoration : illusion ou artifice ? », La commémoration. Le Débat 78, Gallimard, Paris.
Descargas
Publicado
Número
Sección
Licencia
Authors who publish with this journal agree to the following terms:- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
