«If it's not Love then it's the Bomb». A social drama: selfie and nuclear imaginary in contemporary Politics
DOI:
https://doi.org/10.7413/22818138192Keywords:
Performance Studies, Social Imaginary, Liminoid Performance, Capitol Hill Assault, Nuclear BombAbstract
This article aims to investigate some of the events that went through the presidency of Donald Trump until the surreal epilogue of the Capitol Hill assault and the declarations of Nancy Pelosi about preventing the outgoing president from initiating military hostilities, accessing launch codes and even ordering a nuclear attack. In order to investigate the nature of these events it will be useful to use the methodological filter of Richard Schechner’s Performance Studies and Jeffrey Alexander’s notion of social performance as a symbolic act of strategic nature. In this way it can be possible to see how the Capitol Hill assault and Pelosi's narrative intercepted and influenced the collective imaginary.
Downloads
Published
2021-09-08
Issue
Section
Off Topic
License
Authors who publish with this journal agree to the following terms:- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).