Del male nella politica contemporanea: il populismo tele-elettronico
DOI :
https://doi.org/10.13129/2281-8138/2017.0.206-217Mots-clés :
Political crisis, Monstrosities, Populism, Media, SpectacleRésumé
Evil in contemporary politics: tele-electronic populism. Tele-electronic populism, the extraordinary and violent upgrade of the traditional populism, is the most impressive political form in the contemporary scenario: its most resounding innovation. Due to its strong drive to represent directly the entire population, it seeks to go through the left- right dichotomy, simply exiling the role of the parties and of the traditional ideological storytelling. It is an update of the oriented marketing, soaked with all codes of the mainstream tv-shows: impertinence, participation, fan culture drawn by social network and conventional populism. Why is evil imagery the source of this phenomenon? Which cultural and societal features do neo-populist forces express? How far do they represent a discontinuity towards the order of the things?
Références
Abruzzese A. (1994), Elogio del tempo nuovo. Perchè Berlusconi ha vinto, Costa & Nolan, Genova.
Abruzzese A., Susca V. (2004), Tutto è Berlusconi. Radici, metafore e destinazione del tempo nuovo, Lupetti, Milano.
Baudrillard J. (2008), Carnaval et cannibale, Parigi, L’Herne.
Boni F. (2002), Il corpo mediale del leader. Rituali del potere e sacralità del corpo nell’epoca della comunicazione, Roma, Meltemi.
Edelman M. (1988), Constructing the political spectacle, Chicago, University of Chicago Press; tr. it. (1992), Costruire lo spettacolo politico, Torino, Nuova Eri. Edizioni Rai.
Florida R. (2002), The Rise of the Creative Class, New York Basic Books, New York; tr. it. (2003), L’ascesa della nuova classe creativa, Milano, Mondadori.
Jenkins H. (2006), Fans, bloggers, and gamers: exploring participatory culture, New York, NYU Press.
Maffesoli M. (1992), La transfiguration du politique, Parigi, Grasset; tr. it. 2009, La trasfigurazione del politico. L’effervescenza dell’immaginario postmoderno, Milano, Bevivino.
Maffesoli M. (2009), Apocalypse, Parigi, CNRS éditions.
Mény Y., Surel Y. (2000), Par le peuple, pour le peuple. Populisme et démocratie, Parigi, Fayard; tr. it. (2001), Populismo e democrazia, Bologna, Il Mulino.
Musso P. (2008), Le sarkoberlusconisme, Parigi, Éd. de l’Aube.
Salmon C. (2007), Storytelling. La machine à fabriquer les images et à formater les esprits, Pagigi, La Découverte; tr. it. (2008), La fabbrica delle storie, Milano, Fazi, Milano.
Sartori G. (1999), Homo videns. Televisione e post-pensiero, Roma-Bari, Laterza.
Susca V., De Kerckhove D. (2008), Transpolitica. Nuovi rapporti di sapere e di potere, Milano, Apogeo.
Susca V. (2006), Ai confini dell’immaginario. Governator Schwarzenegger, i tele-populisti e oltre, Milano, Bevivino.
Susca V. (2011), « La joie tragique d’Obama », Sociétés, Bruxelles, 112: 59-68.
Taguieff P. A. (2002), L’illusion populiste. De l’archaïque qu médiatique, Parigi, Berg; tr. it. (2003), L’illusione populista. Dall’arcaico al mediatico, Milano, Bruno Mondadori.
Trierweiler V. (2014), Merci pour ce moment, Parigi, Les Arènes.
Wittgenstein L. (1953), Philosophische Untersuchungen, Oxford, Basil Blackwell; tr. it. (1983), Ricerche filosofiche, Torino, Einaudi.
Téléchargements
Publiée
Numéro
Rubrique
Licence
T
This work is distributed under the Creative Commons Attribution 4.0 International License.
The author retains the copyright to their contribution, while allowing anyone “to reproduce, distribute, communicate to the public, publicly display, perform, execute and recite the work”, provided that the author and the title of the journal are properly acknowledged.
At the time of submitting the publication proposal, the author is also required to declare that the content and structure of the work are original and do not in any way infringe upon the rights of third parties, nor the obligations related to the protection of the moral and economic rights of other authors or rights holders, whether concerning texts, images, photographs, tables, or any other parts of which the contribution may consist.
The author further declares that they are aware of the penalties provided for under the criminal code and special laws in the event of false statements in official documents and the use of false documents. Therefore, the journal shall be exempt from any liability of any kind, whether civil, administrative, or criminal, and the author shall hold the journal harmless from any request, claim, or demand made by third parties.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
