Mito, media e Poor Things! L’elaborazione sociale della morte al tempo dell’Intelligenza Artificiale
DOI:
https://doi.org/10.13129/2281-8138/2024.0.91-106Palabras clave:
Myth, Artificial Intelligence, Frankenstein, Yorgos Lanthimos, DeathResumen
Myth, Media, and Poor Things! The social construction of death in the time of Artificial Intelligence
The present work discusses the way the media - and cinema in particular – renovate the myth and thus respond to the cognitive and heuristic needs of humans, working as a mythological machine: unlike some readings of the myth-media relationship which underline the weakening of its cognitive force caused by technologization and serialization of materials, this essay highlights the power of the media in re-opening and regenerating the mythical matter, especially concerning complex themes such as that of the social processing of death. To this end, this work analyzes the film Poor Things! by Yorgos Lanthimos (2023) searching out the mythical material within it and its renewal considering 1. the transformations that have affected the media in the meantime, 2. the spectator's gaze and 3. the social context deeply pervaded by narratives on the technological transformations triggered by AI.
Referencias
Abruzzese A. (1992a), “Per una ridefinizione socioantropologica della Tv”, in Abruzzese A., Cavicchia Scalamonti A. (a cura di), La felicità eterna. La rappresentazione della morte in Tv e nei media, Torino, Nuova Eri, 35-79.
Abruzzese A. (1992b), “La morte e il cinema in TV”, in Abruzzese A., Cavicchia Scalamonti A. (a cura di), La felicità eterna. La rappresentazione della morte in Tv e nei media, Torino, Nuova Eri, 165-212.
Abruzzese A. (2007), La grande scimmia. Mostri vampiri mutanti, Roma, Luca Sossella Editore.
Ballò J., Perez X. (1999), I miti del cinema, Napoli, Ipermedium Libri.
Bartoletti R. (2012), Grandi madri mediali, Napoli, Liguori.
Bettini M. (1989), “Le riscritture del mito”, in Cavallo G., Fedeli P., Giardina A. (a cura di), Lo spazio letterario di Roma antica, I: La produzione del testo, Roma, ed. Salerno, 15-35.
Bettini M. (2008), “Il mito fra autorità e discredito”, L’immagine riflessa,17, 27-64.
Bruckner P. (2001), La tentazione dell’innocenza, Napoli, Ipermedium Libri.
Davis E. (2023), Technogosis, Nero, Roma.
Delsol C. (2024), La fine della cristianità e il ritorno del paganesimo, Siena, Cantagalli.
Denson S. (2014), Postnaturalism. Frankenstein, Film, and the Anthropotechnical Interface, Bielefeld, Verlag.
Detienne M. (1983), L’invenzione della mitologia, Torino, Bollati Boringhieri.
Eliade M. (1993), Mito e realtà, Borla, Roma.
Fattori A. (2018), “Dall’Uomo Vitruviano all’uomo Neoterico La “Creatura” di Mary Shelley due secoli dopo”, EXăgère, 3-4 (III).
Frezza G. (1995), La macchina del mito tra film e fumetti, Firenze, La Nuova Italia.
Frezza G. (2006), Effetto notte. Le metafore del cinema, Milano, Meltemi.
Frezza G. (2013), Dissolvenze. Mutazioni del cinema, Latina, Tunuè.
Frog M. (2015), “Mythology in Cultural Practice: A Methodological Framework for Historical Analysis”, The Retrospective Methods Network, 10, 33-57.
Guidorizzi G. (2009), Il mito greco. Gli dei, Milano, Mondadori.
Jesi F. (1989), Mito, Milano, Mondadori.
Lecercle J.-J. (2014), Frankenstein, mito e filosofia, Napoli, Ipermedium libri.
Morin E. (2002), L’uomo e la morte, Roma, Meltemi.
Morin E. (2005), Lo spirito del tempo, Roma, Meltemi.
Morin E. (2016), Il cinema o l’uomo immaginario, Milano, Raffaello Cortina.
Napoli A. (2020), “The Human-centered AI and the EC policies: risks and chances”, in La Rocca G., Martínez-Torvisco J. (eds), Technological and Digital Risk: Research Issues, Berlin, Peter Lang.
Napoli A. (2017), “Hable con ella: I selfie estremi e la morte”, in Napoli A., Santoro A. (a cura di), Indelebili tracce. I media e la rappresentazione della morte ai tempi della rete, Napoli, Ipermedium libri.
Napoli, A., Santoro, A. (2017), “La morte mediata: dall’esorcismo alla convivenza”, in Napoli A., Santoro A. (a cura di), Indelebili tracce. I media e la rappresentazione della morte ai tempi della rete, Napoli, Ipermedium libri.
Ortoleva P. (2019), Miti a bassa intensità. Racconti, media, vita quotidiana, Torino, Einaudi.
Papacharissi Z. (Ed.) (2019), A Networked Self and Human Augmentics, Artificial Intelligence, Sentience, New York, Routledge.
Piccone Stella S., Saraceno C. (a cura di) (1996), Genere: la costruzione sociale del femminile e del maschile, Torino, Il Mulino.
Piga Bruni E. (2023), La macchina fragile. L'inconscio artificiale fra letteratura, cinema e televisione, Roma, Carocci.
Santevecchi G. (2024, 23 aprile 2024), “È arrivata TongTong, la bambina umanoide”, Corriere della Sera.
Savin-Baden M., Mason-Robbie V. (2020), Digital Afterlife. Death Matters in a Digital Age, New York, CRC Press.
Sbardella L. (2006), Oralità. Da Omero ai mass media, Roma, Carocci.
Spillare S., Bonazzi M., Degli Esposti P. (2024), “AI Imaginaries and Narratives in the Italian Public Discourse: The Impact of ChatGPT”, Im@go, 23, XIII, 131-147.
Van Brussel L., Carpentier N. (eds.) (2014), The social construction of death, London, Palgrave Mcmillan.
Descargas
Publicado
Número
Sección
Licencia
T
This work is distributed under the Creative Commons Attribution 4.0 International License.
The author retains the copyright to their contribution, while allowing anyone “to reproduce, distribute, communicate to the public, publicly display, perform, execute and recite the work”, provided that the author and the title of the journal are properly acknowledged.
At the time of submitting the publication proposal, the author is also required to declare that the content and structure of the work are original and do not in any way infringe upon the rights of third parties, nor the obligations related to the protection of the moral and economic rights of other authors or rights holders, whether concerning texts, images, photographs, tables, or any other parts of which the contribution may consist.
The author further declares that they are aware of the penalties provided for under the criminal code and special laws in the event of false statements in official documents and the use of false documents. Therefore, the journal shall be exempt from any liability of any kind, whether civil, administrative, or criminal, and the author shall hold the journal harmless from any request, claim, or demand made by third parties.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).


